"The
feeling
Stevie Nicks
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Shady Lady started being put together in New York in '69. I met Gerhard who
was from Austria while working together in a hip clothing store in the east
village. Gerhard and his wife at the time had a loft in what now is known as
Soho. We started jamming with this jazz drummer who was a friend of Gert's. This
drummer whose name escapes me was this black dude who kept his drums at the loft
so he had a place to practice between gigs. He loved too jam with us but his
heart was with jazz and wasn't long term for us as Gert and I were rock n roll
all the way. I then introduced John who was already a friend of mine and a
extraordinary guitar player. The three of us fit perfectly for what I had in
mind. What I had in mind was a different type of rock n roll band. One where the
sound, look and attitude would begin to shape a new era and style of rock n
roll. John was from Queens, NY. John moved in with us as well. I mean after all
this was an ideal situation to start this band. The loft was huge and no
neighbors to bother as there were factories on the other floors. Anyway, due to
some difficulties with some previous dealings John and I had with some Mafia
dudes which I won't go into here we had to leave NY. We had intended on going to
England to find the other two band members as we just couldn't find them there.
The problem was monies were low so we headed out for Los Angeles. Gerhard left
his wife behind who wasn't going along with this band thing that Gerhard was
head over heels for. We hit Los Angeles in early '70 and created quite a stir
with our looks and style. We soon found Leonard who was from Toronto and Billy
who was from West Virginia and the band was together. We were picked up by a
manager and were opening for Redbone who he also managed. I didn't like being
second billed to Redbone as we were very different style of music and didn't
care for the type crowds they drew. I liked their band though. I talked it over
with the other band members and we dropped that manager. We then were approached
by The Robert Stigwood organization. They wanted to sign us but were involved in
the Jesus Christ Superstar thing and asked us to wait 6 months. I said no we are
ready to roll now. Then Robert Fitzpatrick had gotten wind of us and was
Stigwood's ex-partner with the BeeGees and some other known groups. He sent his
people over to hear us and signed us on the spot. We then started playing
local gigs such as the Whisky, Oop Poo Pah Doo's, outdoor concerts, concert
halls, etc. all under Fitzpatrick's guidance. We created quite a following over
a short period of time due to our music, outrageous clothes, pretty boy looks
and wild antics on and off stage. We had a look and sound that one writer in the
trades described as; "this English looking, long haired, bare chested,
pouty lipped band comes on with a barrage of sound that is as if The Rolling
Stones, Rod Stewart, Led Zeppelin, The Who and Alice Cooper were all rolled into
one. This band should go far". We also received a lot of negative press
because we were bad boys who got into brawls and trouble easily. The later was
largely due to our looks and guys were jealous because we attracted the girls.
We looked femine but that was only our looks, our attitude stated something else
and we didn't take crap from anyone. We were kind of early glam and kind of
pre-punk, if you know what I mean. We had many offers from major record
companies but our management was asking what was considered then an outrageous
amount to sign us. Mainly what we wanted was a lot of money in distribution to
assure that our music was heard. We got something else instead though.....we
signed with Scepter Records out of New York with promises of the world. However
Scepter Records had problems we didn't know about and went belly up while we
were finishing up the first of three albums that John and I had ready to go,
each album stronger and more sophisticated than the other as by design. By then
egos and drugs were starting to take their toll on the band though along with
the hangers on with everyone seemingly wanting something from you. The bottom
line is we were too young and grew too popular too fast and just weren't able to
handle it all. The band broke up in summer of '73 after being written up in the
trades as the most promising new act of the year. John and I writing under Shady
Christian were being compared to Jagger Richards at the time. The management
called me in and asked me to go solo after the band broke up but I declined as I
did several other offers around that time. My heart just wasn't in it anymore.